The Destination Had Changed

— You said you spent years asking the wrong question. What was the question?
— What should I take.
— That sounds like a reasonable question.
— It is, if you already know what's broken. I didn't. Nobody ever told me. So I was asking a shopping question about a problem I couldn't describe.
— What's the right one?
— What actually has to happen for this to work. And it turns out it's not what I thought. It isn't a hormone. It isn't desire, and it isn't willpower, and it isn't even really about blood in the way everybody says.
— Go on.
— There's tissue in there that's supposed to be soft. When it's soft, it fills, and it holds what fills it. That's the entire machine. That's it.
— And if it's not soft?
— Then the same amount of blood arrives and there's nowhere for it to go. Nothing to fill. It just passes through.
— So all the things that push more blood—
— Are pushing more of something that was never the shortage. That's why I could take something, feel it working somewhere in my body, and get nothing where it mattered. The delivery was fine. The destination had changed.
— When did that land for you?
— When I stopped asking what to take and asked what changed. Because something changed. It didn't used to be like this.
— And you know what changed?
— I do now. It's written up below.

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TiempoTextoFunción
0–5sthe wrong questionFaja fija
62–68sthe destination had changedRemate
74–80ssomething changedLoop 2

Primer frame: dos hombres a media conversación, split vertical.
Escena: despacho neutro, sin bancada reconocible. Ninguna credencial.
Ritmo: corte por réplica, zoom entre turnos.

RiesgoSi el segundo hablante adopta tono de entrevistador experto, se convierte en autoridad y el avatar se va. Tiene que sonar a dos hombres, uno preguntando de verdad.